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Whos to Pay?, 1878. Artist: Swain

Whos to Pay?, 1878. Artist: Swain


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Whos to Pay?, 1878. Artist: Swain

Whos to Pay?, 1878. British prime minister Benjamin Disraeli and a personification of India wearing a sari. Behind is a map of Indias North West Frontier and Afghanistan. Illustration from Punch, or the London Charivari, (1878)

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Media ID 14938872

© The Print Collector / Heritage-Images

1878 79 Afghan War Afghanistan Beaconsfield Benjamin Benjamin Disraeli Border British Raj Disraeli Dizzy Earl Of Beaconsfield Imperialism Kabul Lord Lord Beaconsfield Money North West Frontier North West Frontier Province Pakistan Prime Minister Sari Second Afghan War Swain The Raj Viscount Hughendon Of Hughendon British Empire Hindoostan Northwest Frontier Print Collector7


FEATURES IN THESE COLLECTIONS

> Arts > Artists > Related Images

> Asia > Afghanistan > Kabul

> Asia > Afghanistan > Maps

> Asia > India > Maps

> Asia > Pakistan > Maps

> Europe > United Kingdom > England > London > Politics > Benjamin Disraeli

> People > Politicians

> Popular Themes > Money

> Popular Themes > Politics


EDITORS COMMENTS
The print titled "Who's to Pay?, 1878" captures a significant moment in history with its clever and thought-provoking imagery. Created by the artist Swain, this illustration from Punch, or the London Charivari depicts British Prime Minister Benjamin Disraeli alongside a personification of India wearing a traditional sari. Behind them lies a map showcasing India's North West Frontier and Afghanistan. This powerful image symbolizes the complex relationship between colonialism, war, finance, and imperialism during the late 19th century. The presence of Disraeli suggests his involvement in political decisions regarding India and Afghanistan at that time. The woman dressed in a sari represents India as an oppressed nation under British rule. Her inclusion highlights the impact of colonialism on Indian society and culture. The map behind them further emphasizes the geopolitical significance of these regions during this period. With its monochrome aesthetic, this engraving conveys both satire and caricature to critique British policies towards their colonies. It serves as a reminder of how power dynamics played out during that era. Overall, "Who's to Pay?, 1878" is not just an artistic masterpiece but also a historical document that sheds light on important themes such as politics, imperialism, gender roles, and cultural appropriation within the context of Victorian Britain's global influence.

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