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Tournadre. Jacques (ou Eugene). 32 ans, ne a Marchal (Cantal). Journaliste

Tournadre. Jacques (ou Eugene). 32 ans, ne a Marchal (Cantal). Journaliste


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Tournadre. Jacques (ou Eugene). 32 ans, ne a Marchal (Cantal). Journaliste

Tournadre. Jacques (ou Eugene). 32 ans, ne a Marchal (Cantal). Journaliste. Anarchiste. 3/3/94, 1894

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Media ID 20137248

© Heritage Art/Heritage Images

Alphonse Alphonse Bertillon Anarchism Anarchist Anthropology Anthropometry Arrest Arrested Bertillon Bertillon Alphonse Bertillonage Criminal Identification Journalism Journalist Mug Shot Mugshot Mustache Physical Anthropology Albumen Print Albumen Silver Print


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> Arts > Contemporary art > Photography > Portraits

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Arts > Portraits

> Europe > France > Canton > Cantal

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art

> Popular Themes > Politics


EDITORS COMMENTS
This print captures the enigmatic figure of Jacques (or Eugene) Tournadre, a 32-year-old journalist and anarchist born in Marchal, Cantal. Taken on March 3rd, 1894, this albumen silver print is a testament to the artistry of Alphonse Bertillon, renowned for his pioneering work in anthropometry. Tournadre's arresting gaze draws us into his world as we delve into the complexities of late 19th-century France. With his distinguished facial hair and mustache adorning his face, he exudes an air of defiance that reflects his political beliefs. This mugshot serves as both an identification tool for law enforcement and a powerful portrait that encapsulates the spirit of anarchism during this tumultuous era. Bertillon's meticulous attention to detail is evident in every aspect of this photograph. The composition expertly balances light and shadow while capturing Tournadre's essence with remarkable clarity. As we explore this image further, it becomes clear that it represents more than just one man; it embodies an entire movement rooted in political dissent. Displayed at The Metropolitan Museum of Art, this piece stands as a testament to the intersection between photography, science, and history. It invites viewers to contemplate not only Tournadre himself but also the broader concepts surrounding crime, journalism, and physical anthropology prevalent during that time period. Through its timeless appeal and historical significance, this photograph transports us back to a pivotal moment in

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