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Apoxyomenos, c. 50 AD, copy of the bronze masterpiece by Lysippus around 320 BC (marble)
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Apoxyomenos, c. 50 AD, copy of the bronze masterpiece by Lysippus around 320 BC (marble)
3362130 Apoxyomenos, c.50 AD, copy of the bronze masterpiece by Lysippus around 320 BC (marble) by Roman, (1st century AD); Vatican Museums and Galleries, Vatican City; (add.info.: Museo Pio Clementino, the Vatican Museums
The term Apoxyomenos comes from the Greek verb meaning to clean oneself: ancient Greek athletes used to scrape off the oils used to anoint the body before competitions with sand and a sort of spoon, called the strigil. The statue was discovered in 1849 in Trastevere during the excavation of a building from the Imperial age.
); Photo © Stefano Baldini
Media ID 31936839
© Stefano Baldini / Bridgeman Images
Archaeological Archeologic Archeological Athlete Roman Civilisation Antic Rome Apoxyomenos Lysippos Lysippus Semi Nude Strigil
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EDITORS COMMENTS
This print showcases the Apoxyomenos, a remarkable sculpture dating back to around 50 AD. This marble copy is based on the original bronze masterpiece created by Lysippus in approximately 320 BC. The statue can be found within the Vatican Museums and Galleries in Vatican City. The term "Apoxyomenos" derives from the Greek verb meaning to clean oneself, reflecting an intriguing aspect of ancient Greek athletic practices. Before competitions, athletes would scrape off oils used for anointing their bodies using sand and a tool called a strigil. Discovered during excavations in Trastevere in 1849, this stunning piece of art offers insight into Roman life during the Imperial age. Its elegant portrayal of a young man captures both strength and grace, embodying ideals valued by ancient societies. The photograph itself was taken by Stefano Baldini and is part of Bridgeman Images' collection. It beautifully captures every detail of this classical sculpture, showcasing its intricate craftsmanship and timeless beauty. With its historical significance and artistic excellence, this image invites viewers to appreciate not only the skillful workmanship but also the cultural context surrounding it. From its origins in ancient Greece to its preservation within one of Italy's most renowned museums, this Apoxyomenos stands as a testament to human creativity throughout history.
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