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Rugeley - Cottage near Etchinghill: dark sepia wash drawing, 1835 (drawing)

Rugeley - Cottage near Etchinghill: dark sepia wash drawing, 1835 (drawing)


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Rugeley - Cottage near Etchinghill: dark sepia wash drawing, 1835 (drawing)

5898483 Rugeley - Cottage near Etchinghill: dark sepia wash drawing, 1835 (drawing) by Fernyhough, John Robert (1808-75); 31.8x24.1 cm; (add.info.: View of a Wood and a Cottage near Etchen Hill, Rugeley, 1802. The Wood now cut down and the Cottage taken away. Showing a half-timber cottage.); eWilliam Salt Library; British, out of copyright

Media ID 22336754

© William Salt Library / Bridgeman Images

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EDITORS COMMENTS
This dark sepia wash drawing, created in 1835 by John Robert Fernyhough, transports us back to the enchanting countryside of Rugeley. The print showcases a picturesque wood and a charming half-timber cottage nestled near Etchinghill. With its delicate lines and subtle shading, the artist captures the tranquility and rustic beauty of this idyllic scene. The composition evokes a sense of nostalgia as we learn that both the wood and the cottage depicted have long vanished from existence. It serves as a poignant reminder of how landscapes can change over time, leaving only memories behind. Despite their absence today, they live on through this exquisite artwork. Fernyhough's attention to detail is evident in every stroke; each line seems to breathe life into the drawing. The intricate timberwork of the cottage stands out against the lush greenery surrounding it, creating a harmonious contrast between man-made structure and natural elements. As we gaze upon this print, we are transported to an era where simplicity reigned supreme – where cottages like these were havens for those seeking solace amidst nature's embrace. This piece not only celebrates architectural beauty but also pays homage to our connection with nature. Preserved within eWilliam Salt Library's collection, this historic artwork allows us to appreciate Rugeley's rich heritage while reminding us of our ever-changing world.

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