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Cartoon depicting France trying to seduce Algeria on the topic of stamp duty
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Cartoon depicting France trying to seduce Algeria on the topic of stamp duty
CHT307811 Cartoon depicting France trying to seduce Algeria on the topic of stamp duty, front cover of L Algerie comique et pittoresque, Oran, Sunday 4th November 1883 (colour litho) by French School, (19th century); Private Collection; (add.info.: parody of the play The Barber of Seville by Beaumarchais; Count Almaviva/Lindor personifies France; Rosine, the heroine, personifies Algeria; ); eArchives Charmet; French, out of copyright
Media ID 22660530
© Archives Charmet / Bridgeman Images
Irony Journal Le Barbier De Seville
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This cartoon print from 1883, titled "Cartoon depicting France trying to seduce Algeria on the topic of stamp duty" offers a satirical glimpse into the political landscape of that era. The front cover of L Algerie comique et pittoresque showcases a colourful lithograph created by an anonymous French School artist. Drawing inspiration from Beaumarchais' renowned play, The Barber of Seville, this parody cleverly personifies France as Count Almaviva/Lindor and Algeria as Rosine, the heroine. Through irony and wit, the cartoon portrays France's attempts to entice Algeria with its stamp duty policies. The vibrant imagery captures the essence of this political satire. Count Almaviva/France is depicted in all his charm and elegance, while Rosine/Algeria exudes both allure and strength. Their interaction symbolizes France's persistent efforts to exert influence over Algeria through economic means. As we delve into this historical artwork, it becomes evident that it serves as a commentary on colonialism and power dynamics prevalent during that time period. It invites viewers to reflect upon how nations wielded their authority over others through various tactics such as taxation. Preserved within a private collection today, this remarkable piece continues to resonate with audiences due to its timeless themes of manipulation and resistance. Its significance lies not only in its artistic merit but also in its ability to provoke thought about past societal structures and their implications for our present understanding of history.
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