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Cover of "Le Grelot", number 313, Satirique en Couleurs

Cover of 'Le Grelot', number 313, Satirique en Couleurs


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Cover of "Le Grelot", number 313, Satirique en Couleurs

ICA4918970 Cover of " Le Grelot", number 313, Satirique en Couleurs, 1877_4_8: Cardinal Simon - Anticlericalism - Republicans favorable to the Church - Simon Jules (1814-1896), Cardinals - Illustration by Edouard Guillaumin (Pepin) (1842-1910) by Pepin, Edouard Guillaumin (1842-1927); (add.info.: Cover of " Le Grelot", number 313, Satirique en Couleurs, 1877_4_8: Cardinal Simon - Anticlericalism - Republicans favorable to the Church - Simon Jules (1814-1896), Cardinals - Illustration by Edouard Guillaumin (Pepin) (1842-1910)); Photo eCaricadoc; French, out of copyright

Media ID 22874510

© Caricadoc / Bridgeman Images

Cardinal A Journal Caricadoc Journalism Newspapers


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> Arts > Realistic drawings > Portrait drawings > Fine art

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> Fine Art Finder > Artists > Edouard Guillaumin Pepin

> Popular Themes > Politics


EDITORS COMMENTS
This print showcases the cover of "Le Grelot" number 313, Satirique en Couleurs from 1877. The artwork, created by Edouard Guillaumin (Pepin), depicts Cardinal Simon and explores themes of anticlericalism and the relationship between Republicans and the Church during that time period. Cardinal Simon, whose full name was Jules Simon (1814-1896), was a prominent figure in French politics. This illustration by Guillaumin offers a satirical portrayal of him, highlighting his role as a cardinal while also commenting on political dynamics surrounding religion. The image captures the essence of French society in the late 19th century with its intricate details and clever caricature style. It reflects both the artist's skillful engraving technique and his ability to convey complex political messages through visual storytelling. "Le Grelot" itself was a popular satirical journal in France at that time, known for its sharp commentary on various aspects of society. This particular issue delves into tensions between religious institutions and Republican ideals, shedding light on an era marked by significant social change. Overall, this print serves as a fascinating historical artifact that offers insight into both artistic techniques of the period and important political debates surrounding religion in France during the late 19th century.

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